Alabama 3 : Interview
Author: Peter Allison
Published: 15/01/2012

Alabama 3 are quite possibly one of the most individual and
idiosyncratic bands in the UK, if not the world. Hailing from Brixton in
London (rather than Alabama) this seven-piece mixes blues, gospel and
country music with dance and hip hop. In theory this blending of music
should be unlistenable, and in lesser hands it would be. Yet through
unabashed skill, and a tenacity to continue doing things their way,
Alabama 3 have proved that not only can it work, but it can work very

Following the success of their 1997 first album, the wonderfully
idiosyncratic 'Exile on Coldharbour Lane', Alabama 3 were dismissed as
merely a band with a gimmick playing off their boundary-defying music.
Yet, success followed with later albums, from the darkly brilliant 'La
Peste' (2000) to the hedonistic 'M.O.R'.
Despite the brilliance oftheir music, Alabama 3 have remained on the
periphery of the music scene. In spite of their low-key approach,
Alabama 3 have still occasionally found their way into the mainstream.
Their most notable exposure was through 'Woke Up This Morning'
being used as the intro-music to 'The Sopranos' TV series, and 'Too Sick
to Pray' played over the radio in a scene from 'Gone in Sixty Seconds'.

Operating as they do on the periphery means that they are not
influenced by the whims of music industry executives. This lack of
influence means that they continue to remain in tune with current
affairs. Their latest album 'Shoplifting 4 Jesus' is incredibly revalent,
given the recent occurrences in the ongoing SOPA/PIPA debate.

Alabama 3 are at their best when they are angry, yet their anger is not
projected as screechingly impotent vocals. Rather it is a muted snarl, a
cold rage that percolates the album. With 'Shoplifting 4 Jesus' they are
angry about the global economy, digital piracy and the London riots.

Unlike some bands that merely claim to support digital piracy, the
Alabama 3 go one step further by actually sampling other musicians
(most notably Motorhead's Lemmy Kilmister roaring "That's the way I
like it" mixed into Alabama 3's track 'Wrong Is Right'). By all accounts
no royalties were paid for this privilege: if nothing else, this audacity
shows Alabama 3 have balls of steel...

During their latest tour, Pennyblackmusic caught up with Larry Love
from the band to talk about 'Shoplifting 4 Jesus', and just why "wrong is

PB: With your reputation for always touring, how does it feel to be on
the road again?

LL: Feels like home ... fighting, fucking and funky. Pass the pain killer.

PB: Alabama 3 are one of the few truly independent outlaw bands in
the music industry; how did this come about and what effect has this
had upon your creativity?

LL: Nobody would market us as we don't fit into any easy category. DIY
was the only option. We have always remained outside of the
establishment because we do future music.

PB: Alabama 3 have continually evolved since the acid/country-fused
'Exile on Coldharbour Lane' to R 'n' B/Gospel in 'Shoplifting 4 Jesus'.
How do you blend these elements together?

LL: We have always believed that country/blues/gospel has a place in
most dance genres ... hence our tenacity.

PB: Like much of Alabama 3's music, 'Shoplifting 4 Jesus' addresses
contemporary issues, but how was the album first conceived?

LL: In a low lit bordello, in bad company, with good drugs and an
unwavering belief in the feral youth of our community.

PB: Listening to 'Shoplifting 4 Jesus', the music verges on echoing other
artists by sampling tracks. What reaction has this had from the other

LL: We're that slick they ain't copped on yet. We wait for litigation.

PB: Would you say the phrase "Wrong is right" encapsulates the album
'Shoplifting 4 Jesus' - and if so why?

Ll: Bankers take bonuses; single mothers' benefits are cut.

PB: One of the issues you address in 'Shoplifting 4 Jesus' was the
London riots. As a band uniquely identified with London, what do
Alabama 3 consider as the cause of the unrest?

LL: Bombarding young people with acquisitive notions whilst denying
them jobs, housing etc. It's bound to stir something up.

PB: Given the themes in 'Shoplifting 4 Jesus', what are your thoughts on
digital piracy?

LL: We are all pirates now. Steal what you can ... don't get busted.

PB: 'Shoplifting 4 Jesus' has an undertone of hope that runs throughout
the album - does this reflect your own thoughts?

LL: The biggest threat to middle England seems to be young people.
Alabama 3 believe the opposite. Middle England is burning and the
youth are the fire brigade.

PB: What does the future hold for Alabama 3?

LL: Life without parole. Remember Alabama 3 are not just for
Christmas, they're for life.

PB: Thank you.